Welcome to the Wakefield Doctrine (the theory of clarks, scotts and rogers)
This is the Six Sentence Story
Hosted by Denise
This week’s prompt word:
KEY
Since time immemorial, Music has been referred to as ‘the language of the gods’. This comes as small surprise to those inclined to consider the role of music in the world of Man, in fact, given the endless ways found to create it, the plural form, ‘gods’ seems only reasonable.
Of course, the natural world, abounding in examples of proto-music, ranging from the songs of birds, the howls of predators and the deep-sea chorus of many, if not all cetaceans, nevertheless only serves to betray a flaw when given over to man (and woman) to embrace and express this divine gift.
Just as the tropical storm is not the Ocean, the instruments fashioned (and voices trained) are not Music, merely individual mechanisms to amplify what is within the soul. At the heart of the dysfunction is denial on the part of whatever culturally-favored depiction of God one might prefer, a refusal to acknowledge that all songs and symphonies, lullabies and martial exhortations are played in the key of fear.
This primal key of the songs of Man (and Woman) is the fear of loss and it is the unintended consequence of the gift from the gods, the true Original Sin being the capacity to imagine time that has yet been heralded by the rising sun.