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Six Sentence Story -the Wakefield Doctrine-

Welcome to the Wakefield Doctrine (the theory of clarks, scotts and rogers)

This is the Six Sentence Story bloghop.

Hosted by Denise

Previously on the Whitechapel Interlude

It has been said, the more civilized the society, the more variable the timing of daily routines such as sleeping and eating. Count Cyrus St. Loreto embraced the conceit that meals are, in part, an expression of a man’s relationship with the society in which he was embedded. Dinner to welcome his guests began promptly at eleven-thirty.

Prompt word:

TREATMENT

In the mountain-wrinkled central plains of Romania, night and day are tormented lovers; the agony of separation an endless yearning, binding each to the other; the pair passing the ages in mindless hope of reunification.

In Transylvania, the night learned to approach with barely discernible steps, lest the native life, both human and not, be startled into action prematurely; sauntering among lengthening shadows, the darkness grew until the sun, abdicating it’s role as protector, retreated behind the distant mountains.

The dining hall at Castle Noctis Ostium was large enough to accommodate a small crowd, without danger of the participants feeling like a crowd of people, the table was appropriate to the scale of the room, long but not too broad, and the staff worked with such subtle skill that guests and host might be the only living creatures within miles, the light was natural and mimic’d the night-sky, illumination where necessary, soft shadows where it was not.

“You have the mechanism we’ve been sent to return to the Order in London?” [like the goblets of wine, angular yet transparent]

“You live here alone?” [like the wine and other refreshments, sparkling yet with an undefinable bouquet]

“You are my guests, my home is your home; allow me to indulge my admittedly under-exercised social side; be it small or grand, consider every treat meant to convince you that home is where the heart has always been.” [like the entire feast, a dizzying variety, yet of singular intent]

 

 

 

 

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clarkscottroger About clarkscottroger
Well, what exactly do you want to know? Whether I am a clark or a scott or roger? If you have to ask, then you need to keep reading the Posts for two reasons: a)to get a clear enough understanding to be able to make the determination of which type I am and 2) to realize that by definition I am all three.* *which is true for you as well, all three...but mostly one

Comments

  1. Stellar writing, Clark. Mood, ambiance, inference. Masterful piece accompanied by the masterful Ludwig.(nice choice)

  2. Frank Hubeny says:

    I like the description of night and day as tormented lovers and the sun as protector abdicating its role when it sets. I wonder what the mechanism is they are eager to bring back to London. It sounds like it might be risky for the guests to eat at that table.

    • clarkscottroger clarkscottroger says:

      Thanks, Frank
      They are referring to the single missing part of the time mechanism that the Order hopes will allow then to stop Professor Egmont.

  3. Chris Hall says:

    What a fabulous accompaniment to this installment! The table is laid, the scene is set, and this reader is full of anticipation for what’s to follow, whatever it might be…

    • clarkscottroger clarkscottroger says:

      Thank you, Chris. (This sequence should be fun and interesting, before the Narrative is forced to return to London)

  4. phyllis0711 says:

    This six and the prompt word treatment made me think of a stage treatment for a play.
    The imagery was very engaging.
    Thank you.

  5. UP says:

    really well done, Ludwig too!

  6. Pat Brockett says:

    The music is perfect background for this SSS. I am a little curious about the intent in [like the entire feast, a dizzying variety, yet of singular intent]. Should they be afraid?

    • clarkscottroger clarkscottroger says:

      The […] would be of Count St. Loreto. If history is any guage, Anselm and Sarah would do well to be on their guard.

  7. And here is where everything starts to get very, very sticky.

  8. A riveting piece skillfully written, and a sublime musical accompaniment.

  9. Excellent observations of darkness and light at play, in both nature, man and beast. That the scene takes place at a dining table in a grand dining room adds to the idea of transition (nourishment, giving and taking).
    Beethoven’s 7th, the 2nd movement has got to be one of the most moving/sad/tragic/uplifting/spiritual pieces ever written. It fits well here with your scene.

    • clarkscottroger clarkscottroger says:

      Funny about the song element. It’s closer to writing a Six from a box of words and phrases. (Unless I get hit by a song, not infrequently I’ll stumble across music that says, “Now write your story to feel like this…”), I’ll go wandering through youtube, I had a sense of the feeling for the song, and some worked…sorta. But when I hit this one, I was, all, ok. That’s what the soundtrack would be playing.